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BP · 010 · Reading · The Softer Side of Berth

A Sunday in Three Acts

A day in the life of a solo creative

Act I

The Rot

Franklin and Lyon. A pack of smokes and a Gatorade from Tina’s. The same walk as last week, and for a minute I was in my twenties again.

Stuck, and not sure of what.

Act II

The Canvas

Out on Brady Street, knocking on the neighborhood. I’m good at holding a conversation when someone comes to me. I’m not good at opening one. So I practiced. It worked. It gave me something to trust.

“Hi, friends, we’re talking about the neighborhood today.”

A blue Books & Brews poster stapled to a telephone pole thick with old staples, a street of orange construction barrels behind it.
On a pole, on the canvass
Act III

The Talk

A walk south on Prospect, a museum, a notebook, a bar seat at the Vig. The talking turned into writing.

Some days you don’t know what to do with yourself. Good. That’s the assignment. Here is one afternoon in Milwaukee that asks nothing of you but your feet.

Fierce kindness, not Midwest nice.

Stop 1

Ogden and Prospect

Start on the bluff. The Ogden corridor still shows the outline of a freeway that was planned and never built. Notice what the city did with the gap. Burns Commons, one of Milwaukee’s earliest parks, is small, easy to miss and worth the detour.

At 1260 N. Prospect, a 1937 Art Deco tower, the Exton, by Tullgren. Bay windows and curved glass. Look up.

A cream-brick Italianate house with a columned porch at the top of a long flight of steps, leaves on the walk.
On Prospect
The Exton, a cream Art Deco apartment tower with curved corner windows and a round entrance canopy, over a wide lawn.
1260 N. Prospect
Stop 4

White Manor

A small white building set back on the bluff, with a view of the marina. It doesn’t face the street, and that’s the charm. Some of the best things here are tucked back.

White Manor, a white apartment house with balconies, set back behind an iron fence with the lake beyond it.
White Manor
A narrow gap between two brick apartment buildings, a skeleton and a jack-o’-lantern in the bushes.
Tucked back
Stop 5

Juneau Park

Landscaped in 1870 as the Seventh Ward Park and later named for Solomon Juneau, the city’s first mayor. The Juneau monument and the Leif Erikson statue both date to 1887, and the Erikson is a replica of the one in Boston. Gertie the Duck’s brood was moved to the lagoon here in the 1940s.

The Leif Erikson statue on a tall granite base, shading his eyes, a red, white and blue wreath at its foot.
Leif Erikson, 1887
The Cudahy, a white stone apartment tower, shot from the corner looking straight up, a glass tower behind it.
The Cudahy
Between

Between towers

Is it the windrushing between towerswhispering not yet,reach higher.

Two glass towers joined by a skybridge over an empty street.
Mason Street
The curved glass Northwestern Mutual tower rising behind a round concrete stair with green railings.
Northwestern Mutual
Stop 6

Kilbourn Avenue

A City Beautiful boulevard. From City Hall to Prospect the streetscape was rebuilt so you can walk out onto the median and sit among the plantings.

Aaron in sunglasses with a coffee, a tall bronze bird sculpture with outstretched wings behind him, towers beyond.
Birds of Knowledge of Good and Evil · Abakanowicz, 2001
Stop 7

The Woman’s Club

The Woman’s Club of Wisconsin, founded in 1876. Its 1886 Athenaeum was the first publicly owned stock company formed exclusively by women. Across Kilbourn stand six aluminum birds by Magdalena Abakanowicz (2001).

The Athenaeum, a stone Victorian clubhouse with a green iron entrance canopy, seen across a sunny lawn through the trees.
The Athenaeum, 1886
Stop 8

The bridge to the lake

Look for the orange sculpture, Mark di Suvero’s The Calling (1982). Locals will tell you it was here first, and that Calatrava designed the new wing with it in mind.

The Calling, orange steel I-beams bolted into a star, in front of a glass office tower.
The Calling · di Suvero, 1982
Aaron grinning in orange sunglasses under yellow autumn trees, the orange beams of The Calling behind his shoulder.
The Calling, up close
Stop 8

A tootsie pop

A pisco sour? No, just thefollow to a tootsie pop crunchedbefore I came to munch.

Looking up at Aaron biting a tootsie pop, The Calling’s orange hub and beams against blue sky above him.
Under The Calling
Aaron in a plaid cap and orange sunglasses, eyeing a tootsie pop held up beside him under The Calling.
Under The Calling
Stop 9

Milwaukee Art Museum

Cross toward the lake and go in. Stay on the first floor.

Aaron, eyebrows up, in a cap and red-brown chore jacket inside the white ribs of the Calatrava hall.
Quadracci Pavilion
Four colored glass vessels in a case before slanted white beams and windows onto yellow trees and the blue lake.
The lake, from inside
Stop 9

Start in contemporary

Right around the corner from the leaning janitor sculpture, which I just noticed is off display.

From a dark wood doorway, a bright white gallery; a man in dark clothes leans in the far doorway, seen from behind.
Around the corner from Duane Hanson’s Janitor, 1973
Stop 9

Please do not touch

Hundreds of white stones hung in the air over a parquet floor, a small sign reading Please do not touch.
Please do not touch
White gallery walls stepping back in a long corridor to a red room with a painting at the end.
Contemporary galleries
Stop 9

Then go find

Zurbarán’s Saint Francis (about 1630 to 1634), Kehinde Wiley’s Saint Dionysus, a Reginald Baylor, and the Brooks Stevens chairs. Stevens was a Milwaukee designer, and you know his best-known work: the Wienermobile.

Through a doorway, a red gallery wall with Zurbarán’s Saint Francis and one visitor on a bench, seen from behind.
Saint Francis · Zurbarán
Aaron looking up, mouth open, under an enormous black-and-white painted portrait.
First floor
Stop 9

Type on the wall

Sunday is 10 to 5; closed Monday and Tuesday.

Aaron smiling in a cap beside a gallery wall titled Graphic and Typographic Expression and a red wall of stencil letters.
Graphic and Typographic Expression
Stop 10

The Vig

A bar seat, a notebook, dinner for one.

The Sour Grape. Enthralling?

A pink Sour Grape in a coupe on a The Vig coaster, a black notebook and red pen on a striped towel in front.
The Sour Grape
Bloody Mary deviled eggs topped with shrimp, celery, olives and bacon on slaw, the pink drink behind.
Bloody Mary deviled eggs
Stop 10

Up next

Up next:a salad and fries,not girl dinner, notquite.

A crisp cutlet under a heap of greens on a flowered plate, fries behind, the notebook open beside it mid-poem.
The notebook, mid-poem
Aaron at The Vig in a plaid cap, smiling, a notebook under his hand.
The talking turned into writing
Home

Let it do the walking

Then take the streetcar home and let it do the walking.

A brick tower and a glass tower at dusk, lit windows, parked cars along the street.
The walk home

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Reader notes · A Sunday in Three Acts

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